1997, over 80 releases to date) such as Quarks, Barbara Morgenstern, Cobra Killer, Contriva, Michaela Melián, Islaja.Ī skilled audio engineer, programmer and record producer Gut is active in the technical production and commercial sectors of the recording industry. 1990) reissues material by Malaria!, Matador, Miasma and other projects with a personal involvement, while Monika Enterprise supports young artist in the realm of new electronic/independent music (est. A result was the Electronic-Pop CD G.Gut: Members of the Oceanclub which was recently rereleased on Moabit Musik including an extra cd with remixes.įounder and owner of two labels (Monika Enterprise and Moabit Musik) Gut promotes unconventional attitude. Two years later she founded the OCEANCLUB, a loose collective of likeminded souls with a unique approach for music, taking it from a variety of angles. In 1991 she started a international mixed media collaboration with Myra Davies (Canada) with the albums Davies/Gut: Miasma 1. Duursma and Beate Bartel) and started to use a computer for her compositions – since the early nineties Gut has been responsible for some film scores, videos and radio plays. In the late eighties Gut was part of three women band MATADOR (with Manon P. ‘Malaria!’ is still talked about and even reached the charts in 2001 via a “Kaltes Klares Wasser” remix by “ChicKs on Speed”, incidentally. A member of Mania D (with Bettina Koester and Beate Bartel) and an early incarnation of Einstürzende Neubauten she soon formed successful eighties all-female art rock band MALARIA! with Bettina Koester, then touring Europe and the USA with a 5 piece line up including Manon P.Duursma, Susanne Kuhnke, Christine Hahn. While still a student at the Hochschule der Künste, Berlin (1978-84) Gut first came to prominence in the early eighties as part of a scene the media dubbed “ingenious dilletantes”. Gudrun Gut’s CV is an eclectic one, spanning a wide range of media and collaborations. 2021 publishing of the Book “M_DOKUMENTE” (Ventil Verlag) together with Beate Bartel and Bettina Köster which was launched by an exhibtion and record release “M_Sessions” in Berlin at Silent Green – all about Mania D., Malaria!, Matador.
2019 she received the ‘Listen to Berlin Award’ for development and support of the Berlin musicscene. 2018/9 new celebrated solo album MOMENT with concerts in Saudi Arabia, China, Russia, Spain, Romania, France and Germany. Projects have included collaborations with Antye Greie (AGF) and Hans-Joachim Irmler of Faust, participating on the advisory committee for Musicboard Berlin, since 2016 part of the artist funding jury of Initiative Musik DE, performing at The Royal Albert Hall with Âme as part of an Innervisions label night. Her talents extend beyond musician, however, to include founding record labels (the influential imprints Moabit Musik and Monika Enterprise), radio presenter and producer together with Thomas Fehlmann (10 years Oceanclub Radio for RadioEins), club nights (progressive electronic pop collective Oceanclub), festival curation (with Fehlmann/Meteo on MarkeB, or now UM-Festival) and the recent experimental feminist collaborations (Monika Werkstatt). Gudrun Gut’s story spans many years, scenes, and sounds, from the “ingenious dilettantes” subculture of early 1980’s Berlin as part of Mania D, Einstürzende Neubauten, and Malaria! to Matador into an expansive solo catalog of later work.
0 kommentar(er)
